He begs another not to jilt him on "Don't Do Me Like That," with an infectious beat and funky rhythms to match the knowing lyrics. Love is consuming and confusing since his women "always like to leave me with a shadow of a doubt." On "Here Comes My Girl," he leers "watch her walk" and then, Jagger-style, his half-spoken musings turn to throaty screeching and finally flow into a rounded rock chorus. Although the specifics about Petty's women are absent, his snarling tone often ends up as pleading. Just when he's sounding most vulnerable, Petty slips in a bit of cool advice for the girl who's done him dirt. But for the most part, the album goes about the business of pure rock. Two tracks are preceded by electronic pulsations and quirks, like a pinball machine registerting bonus points. The cuts are catchy enough to be hit singles, but so complex in music and lyrics as to form a sustaining LP. On "Torpedoes," Petty fires away with accessible but 3-D tunes. Still, Tom Petty & the Heartbreakers have a personal style beyond the derivative sounds, and they're rocking to stardom, full speed ahead. Distinct '60s Byrds stylings also are apparent in the lush mix of Petty's 12- and six-string guitars and the quintet's tight harmonies. True, a number of rock-hero influences are evident there's a hint of Dylan on at least one cut, a tad of Springsteen in the forceful manner of his growing-up anthems, and a Jagger-like edge tohis voice on others. While his two earleir efforts were miscast in a punkish light and neglected, Petty's new album is mainstream rock in the best sense. Pretty Tom Petty blows into town this week under a full head of steam with a big-selling album, "Damn the Torpedoes." THE ALBUM - Tom Petty & the Heartbreakers "Damn the Torpedoes," Backstreet/MCA Records (MCA-5105.) THE SHOW - At Merriweather Post Pavilion, Saturday at 7:30.
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